THE INSTANT SUNDAY TIMES BESTSELLER 'You won't find a more thrilling winter read this year, or a better line up of writers who have mastered the gothic and ghostly.' SARA COLLINS, Costa Award-winning author of The Confessions of Frannie Langton Featuring new and original tales from: Bridget Collins Sunday Times bestselling author of The Binding | Imogen Hermes Gowar Sunday Times bestselling author of The Mermaid and Mrs Hancock | Kiran Millwood Hargrave Sunday Times bestselling author of The Mercies | Andrew Michael Hurley Sunday Times bestselling author of The Loney | Jess Kidd International award-winning author of Things in Jars | Elizabeth Macneal Sunday Times bestselling author of The Doll Factory | Natasha Pulley Sunday Times bestselling author of The Watchmaker of Filigree Street | Laura Purcell Award-winning author of The Silent Companions ______________ Long before Charles Dickens and Henry James popularized the tradition, the shadowy nights of winter have been a time for people to gather together by the flicker of candlelight and experience the intoxicating thrill of a ghost story. Now eight bestselling, award-winning authors - all of them master storytellers of the sinister and the macabre - bring the tradition to vivid life in a spellbinding new collection of original spine-tingling tales. Taking you from the frosty Fens to the wild Yorkshire moors, to the snow-covered grounds of a haunted estate, to a bustling London Christmas market, these mesmerizing stories will capture your imagination and serve as your indispensable companion to the cold, dark nights. So curl up, light a candle, and fall under the spell of winters past . . .

FROM THE CREATORS OF THE HAUNTING SEASON COMES A DAZZLING COLLECTION OF NEVER-BEFORE-SEEN GHOSTLY TALES. 'Terrific - every bit as good as an MR James collection' ROSIE ANDREWS, author of THE LEVIATHAN Featuring new and original stories from: Bridget Collins, author of The Binding Imogen Hermes Gowar, author of The Mermaid and Mrs Hancock Kiran Millwood Hargrave, author of The Mercies Andrew Michael Hurley, author of The Loney Jess Kidd, author of Things in Jars Natasha Pulley, author of The Watchmaker of Filigree Street Elizabeth Macneal, author of The Doll Factory Laura Purcell, author of The Silent Companions Susan Stokes Chapman, author of Pandora Laura Shepherd-Robinson, author of The Square of Sevens Stuart Turton, author of The Seven Deaths of Evelyn Hardcastle Catriona Ward, author of The Last House on Needless Street The tradition of a haunted tale at Christmas has flourished across the centuries. These twelve stories - authored by some of today's most loved and lauded writers of historical and gothic fiction - are all centred around Christmas or Advent, boldly and playfully re-imagining a beloved tradition for a modern audience. Taking you from a haunted Tuscan villa to a remote Scottish island with a dark secret,, these vibrant haunted stories are your ultimate companion for frosty nights. So curl up, light a candle, and fall under the spell of winters past . . . 'I absolutely devoured The Winter Spirits. Every story is a gem' LAURA SHEPPERSON 'Another dazzling collection. Chilling, moving and incredibly satisfying' AMANDA MASON 'Eerily macabre, hauntingly propulsive' JOANNE BURN

The nation's favourite annual guide to the short story, now in its seventh year. Best British Short Stories invites you to judge a book by its cover - or more accurately, by its title. This critically acclaimed series aims to reprint the best short stories published in the previous calendar year by British writers, whether based in the UK or elsewhere. The editor's brief is wide ranging, covering anthologies, collections, magazines, newspapers and web sites, looking for the best of the bunch to reprint all in one volume. Featuring stories by Jay Barnett, Peter Bradshaw, Rosalind Brown, Krishan Coupland, Claire Dean, Niven Govinden, Francoise Harvey, Andrew Michael Hurley, Daisy Johnson, James Kelman, Giselle Leeb, Courttia Newland, Vesna Main, Eliot North, Irenosen Okojie, Laura Pocock, David Rose, Deirdre Shanahan, Sophie Wellstood and Lara Williams.

An atmospheric and unsettling story of the depths of grief found in an ancient farm in northern England, soon to be a major motion picture starring Matt Smith and Morfydd Clark. The worst thing possible has happened. Richard and Juliette Willoughby's son, Ewan, has died suddenly at the age of five. Starve Acre, their house by the moors, was to be full of life, but is now a haunted place. Convinced Ewan still lives there in some form, Juliette seeks the help of the Beacons, a seemingly benevolent group of occultists. Richard, to try and keep the boy out of his mind, has turned his attention to the field opposite the house, where he patiently digs the barren dirt in search of a legendary oak tree. But as they delve further into their grief, both uncover more than they set out to. Starve Acre is a devastating new novel by the author of the prize-winning bestseller The Loney. It is a novel about the way in which grief splits the world in two and how, in searching for hope, we can so easily unearth horror.

Rooted in place, slipping between worlds - a rich collection of unnerving ghosts and sinister histories. Eight authors were given the freedom of their chosen English Heritage site, from medieval castles to a Cold War nuclear bunker. Immersed in the past and chilled by rumours of hauntings, they channelled their darker imaginings into a series of extraordinary new ghost stories. Also includes a gazetteer of English Heritage properties which are said to be haunted.

Eight authors were given after hours freedom at their chosen English heritage site. Immersed in the history, atmosphere and rumours of hauntings, they channelled their darker imaginings into a series of extraordinary new ghost stories. Sarah Perry's intense tale of possession at the Jacobean country house Audley End is a work of psychological terror, while Andrew Michael Hurley's story brings an unforgettably shocking slant to the history of Carlisle Castle. Within the walls of these historic buildings each author has found inspiration to deliver a new interpretation of the classic ghost story. Relish the imagined terrors at these exhilarating locations: Kate Clanchy, Housesteads Roman Fort | Stuart Evers, Dover Castle | Mark Haddon, York Cold War Bunker | Andrew Michael Hurley, Carlisle Castle | Sarah Perry, Audley End | Max Porter Eltham Palace | Kamila Shamsie, Kenilworth Castle | Jeanette Winterson, Pendennis Castle

The worst thing possible has happened. Richard and Juliette Willoughby's son, Ewan, has died suddenly at the age of five. Starve Acre, their house by the moors, was to be full of life, but is now a haunted place. Juliette, convinced Ewan still lives there in some form, seeks the help of the Beacons, a seemingly benevolent group of occultists. Richard, to try and keep the boy out of his mind, has turned his attention to the field opposite the house, where he patiently digs the barren dirt in search of a legendary oak tree. Starve Acre is a devastating new novel by the author of the prize-winning bestseller The Loney. It is a novel about the way in which grief splits the world in two and how, in searching for hope, we can so easily unearth horror.

The complete adventures of the well-loved clerical sleuth, collected in one brilliant volume. Shabby and lumbering, with a face like a Norfolk dumpling, Father Brown makes for an improbable super-sleuth. But his innocence is the secret of his success: refusing the scientific method of detection, he adopts instead an approach of simple sympathy, interpreting each crime as a work of art, and each criminal as a man no worse than himself. This complete edition brings together all of the Father Brown stories, including two not previously available in Penguin: 'The Donnington Affair', in which Chesterton rises to the challenge of solving a murder-mystery half written by someone else (Max Pemberton), and 'The Mask of Midas', which was found in Chesterton's papers after his death. It also includes an introduction and notes by Michael D. Hurley. G.K. Chesteron was born in 1874. He attended the Slade School of Art, where he appears to have suffered a nervous breakdown, before turning his hand to journalism. A prolific writer throughout his life, his best-known books include The Napoleon of Notting Hill (1904), The Man Who Knew Too Much(1922), The Man Who Was Thursday (1908) and the Father Brown stories. Chesterton converted to Roman Catholicism in 1922 and died in 1938. Michael D. Hurley is a Lecturer in English at the University of Cambridge, and a Fellow of St Catharine's College. He has written widely on English literature from the nineteenth century to the present day, with an emphasis on poetry and poetics. His book on G. K. Chesterton was published in 2011.

BOOK OF THE YEAR IN THE TIMES, SUNDAY TIMES, FT, METRO AND MAIL ON SUNDAY 'The new master of menace' Sunday Times After the blizzard of a century ago, it was weeks before anyone got in or out. By that time, what had happened there, what the Devil had done, was already fable. Devil's Day is a day for children now, of course. A tradition it's easy to mock, from the outside. But it's important to remember why we do what we do. It's important to know what our grandfathers have passed down to us. Because it's hard to understand, if you're not from the valley, how this place is in your blood. That's why I came back, with Kat; it wasn't just because the Gaffer was dead. Though that year we may have let the Devil in after all . . .

THE SUNDAY TIMES TOP 10 BESTSELLER. WINNER OF THE 2015 COSTA FIRST NOVEL AWARD. THE BRITISH BOOK AWARDS BOOK OF THE YEAR 2016. A brilliantly unsettling and atmospheric debut full of unnerving horror - 'The Loney is not just good, it's great. It's an amazing piece of fiction' Stephen King Two brothers. One mute, the other his lifelong protector. Year after year, their family visits the same sacred shrine on a desolate strip of coastline known as the Loney, in desperate hope of a cure. In the long hours of waiting, the boys are left alone. And they cannot resist the causeway revealed with every turn of the treacherous tide, the old house they glimpse at its end . . . Many years on, Hanny is a grown man no longer in need of his brother's care. But then the child's body is found. And the Loney always gives up its secrets, in the end. 'This is a novel of the unsaid, the implied, the barely grasped or understood, crammed with dark holes and blurry spaces that your imagination feels compelled to fill' Observer 'A masterful excursion into terror' The Sunday Times